Studio Hardware

Studio Outboard FocusriteWe love studio outboard equipment at MediaPros. It is in fact one of the Pro Audio team’s many vices, you’ll notice their eyes light up whenever you mention the word ‘analogue’ to them. This enthusiasm shines through and we’re not afraid to get all geeky and technical with it either!

We offer a comprehensive range of industry standard studio hardware equipment including most of the major brand outboard processors, so whatever you’re in the market for we’ll be able to provide you with the technical expertise to get you up and running and the service and support to keep you up and running.

The main brands we supply are: API, Apogee, Antelope, Bricasti, Avalon, Audient, Charter Oak, Cedar, Eventide, DBX, Dolby, Eventide, GML, Lexicon, Focusrite, Masselec, Millennia, Neve, Radial, Rupert Neve Design, Slate Pro Audio, Solid State Logic, Summit Audio, TC Electronic, Tubetech, and Universal Audio.

Demos of studio outboard equipment are available upon request in our Central London located studios, please contact one our Pro Audio Product Specialists for further information.

Antelope Audio Isochrone 10M

Antelope is the brainchild of Igor Levin, best known for creating the legendary AardSync. As the primary hardware engineer for Aardvark, Igor developed countless innovations in digital audio and synchronization technology. With over twenty years’ experience and an unparalleled understanding of digital audio, Igor continues to establish new standards in quality and performance.Antelope was founded to take audio recording to the next level, providing digital technology that transcends all expectations. Antelope allows you to harness the power of digital audio without sacr

ificing the warmth and fullness typically associated with analogue gear. With Antelope, it’s truly possible to have the best of both worlds.

The Isochrone line of Digital Audio clocks represents the next generation in high-end mastering grade digital audio, these units will significantly improve the sound quality of your DAW or sound stage. Enjoy a tighter, more focused sound in your studio that translates to the final mix. Innovative design and premium components make the Isochrone line the definitive solution for stable, jitter-free clocking. Unprecedented quality is accompanied by flexibility and ease of use unheard of in similar devices.

Antelope Audio

Antelope Audio Isochrone 10M

Antelope Audio Isochrone 10M

If your goal is to set up your studio for maximum performance, you will certainly appreciate a clocking reference that is a staggering 100,000 times more accurate than the quartz oscillators used in most equipment.

Rubidium atomic reference generator

For those refusing to accept compromises in audio quality there is the Isochrone 10M – a Rubidium Atomic Reference Generator based on real atomic technology. The 10M is designed specifically to appeal to the most discerning audiophiles and audio professionals.

The ultimate tool in achieving analog sound

The Rubidium Atomic Clock is the perfect companion to the Isochrone audio master clocks such as the OCX or OCX-V. When connected to the Isochrone 10M, these devices switch over automatically from oven-based crystal to the superior Rubidium Core. Isochrone 10M is the ultimate tool in achieving analog sound. Experts agree that 10M is probably “the best sounding clock” ever produced.

A sturdy mechanical construction

The Atomic Clock is distinguished by an extremely sturdy mechanical construction, making it highly resistant to mechanical shocks. In the Antelope tradition of making things easy to use, just connect and power it on; the status lights are visible at a glance and all information is prominently shown on the easy-to-read frequency display.

Antelope Audio Isochrone Trinity

Antelope Audio Isochrone Trinity
Universal high-definition master clock employing Antelope’s 4th Generation of Acoustically Focused Clocking with 64-bit Digital Signal Processing (DSP) and up to 384 kHz audio streaming.

A master clock that stands out

In the fickle world of Audio & Video formats, the new Trinity will be the Master Clock that stands out from the crowd for years to come, with the kind of features that other manufacturers can only aspire to. With dedicated functions and controls, the new Trinity is the best sounding and most versatile Master Clock available anywhere.

The features that make it unique

There are unique features that are only available on the Trinity – such as Audio up to 384kHz, Varispeed, nine completely independent generators, and a Triple display! Of course, all of this comes in an intuitive menu-free user interface, just as you would expect from Antelope.

Antelope Audio Isochrone OCX

Antelope Audio Isochrone OCX

It is crucial that a master clock be flawless, and the Isochrone OCX exists to meet this need. Uncompromised design has created the most stable, best sounding master clock available.

A new quality standard in professional master clocks

The Antelope’s Isochrone OCX emerges as the new quality standard in professional master clocks. A master clock is the heart of the digital studio, essential to maintaining stability and preserving sonic integrity.

Jitter Management Module

Low jitter operation is critical in the modern studio. Antelope’s Jitter Management Module implemented in Isochrone OCX makes jitter essentially nonexistent. Adaptive Loop Filtering is taken to the next level with a sophisticated DSP Based Multistage IIR filter, ensuring a jitter free, great sounding studio.

Oven-controlled environment

Oscillator accuracy is compromised when exposed to temperature fluctuations. The Isochrone OCX addresses this completely with oven control. The oven’s temperature controlled environment allows unparalleled oscillator stability.

Atomic clock input

The Isochrone OCX can be locked to the most accurate clock on Earth – the Atomic clock. A studio can truly achieve perfect stability with the power of Atomic Clock. The OCX, OCX-V and Trinity are the only Master Clocks capable of locking to this unprecedented technology.

Antelope Audio Orion32

Antelope Audio Orion32Orion32 is a 32-channel A/D & D/A converter and audio master clock, supporting both MADI and USB interfaces, clocked by Antelope’s renowned 64-bit Acoustically Focused Clocking (AFC) technology.

Orion32 allows 192 kHz I/O streaming of 32-channel digital audio via USB, providing seamless connectivity to any USB-enabled DAW, computer or iPad. The converter also provides 32 channels of 96 kHz audio through its Fiber Optic MADI I/O connections, which can be used to connect with any suitably equipped MADI device.

Orion32 also supports ADAT protocol by offering 16 I/O channels, for even greater compatibility with a large number of audio devices. The multi-channel converter inputs and outputs pass the analog signal through 8 D-SUB 25 I/O connectors.

Low latency USB on Mac and PC

Using Antelope Audio custom-built USB chip, Orion32 achieves extremely low latency levels even when streaming simultaneously 32 channels in and 32 out. The latency performance varies between only 1 and 6.5 ms for different hardware and software configurations.

Exceptional routing & mixing flexibility

With its seamless digital routing and mixing options, the Orion32 offers extended flexibility. The routing feature allows sound engineers, for example, to send the AD signal to both MADI and USB interfaces, for live mixing and monitoring. The device is managed through a user-friendly desktop application available for both Windows and OS X. Moreover it is equipped with a zero-latency mixer and five preset buttons for fast and easy recall of favorite settings.

1U eco-friendly design

Orion32 is packaged in a 1U enclosure with an eco-friendly power consumption of only 20 Watts. In addition to saving rack space and having very low heating levels, Orion32 comes with an extremely reasonable pricing affordable even for a small home studio.

Apogee-ThunderBridge-Mac-ProAs a broad range of audio professionals will testify, converter quality is a major factor in record and replay transparency – Apogee has long been the No1 choice in stand-alone converter technology. Always innovative but never sonically compromised, there’s now an Apogee product for just about every professional recording environment. From the contemplative calm of the mastering suite to the hurly-burly of live broadcast Apogee has a system that’s tailored to the task in hand.

As a broad range of audio professionals will testify, converter quality is a major factor in record and replay transparency – Apogee has long been the No1 choice in stand-alone converter technology. Always innovative but never sonically compromised, there’s now an Apogee product for just about every professional recording environment. From the contemplative calm of the mastering suite to the hurly-burly of live broadcast Apogee has a system that’s tailored to the task in hand.


Apogee Symphony I/O

Apogee Symphony I/O

Apogee Symphony I/O is a modular multi-channel audio interface featuring premium AD/DA conversion and world-class microphone preamps. Designed to deliver professional sound quality for audio recording, mixing and mastering on a Mac, Symphony I/O is the ultimate music production centrepiece for any modern studio.
Symphony I/O is the culmination of 25 years of Apogee’s awardwinning design experience. Using the most advanced components available, Apogee engineers created an extremely efficient circuit and power design resulting in a significant improvement in audio clarity and transparency over any previous Apogee product.

There is a Symphony I/O solution everyone; the home studio, project studio, commercial recording studio and scoring stage. Choose from four base configurations, 2×6, 8×8, 16×16, or 8×8 with 8 mic preamps and easily expand as your studio grows. With two module slots and the capacity for up to 32 inputs and outputs of A/D & D/A conversion per unit, Symphony I/O offers the best per-channel value of any interface in its category.


Apogee Quartet

Apogee Quartet

Apogee Quartet is a professional USB audio interface designed to deliver the ultimate desktop recording experience to the Mac-based studio. Featuring 4 inputs and 8 outputs of Apogee’s industry-leading AD/DA conversion technology as well as 4 world-class mic preamps, Quartet bridges the gap between the 2-channel Apogee Duet and the 8-channel Apogee Ensemble.

Connect up to 4 microphones, instruments, keyboards or line inputs. Plug in your MIDI controller or keyboard. Expand with up to 8 digital inputs. Monitor and mix it all in stereo, with up to 3 sets of speakers or in 5.1 surround. Quartet is the centre of the modern studio and will help you take the performance and sound quality of your projects to the next level.


Apogee Duet

Apogee Duet

Apogee Duet is an award-winning audio interface, headphone amp and MIDI interface making it easy to create professional recordings anywhere on your iPod touch, iPhone, iPad or Mac. With Apogee’s legendary digital audio conversion and world-class mic preamps, Duet is the best way to capture your music with incredible dimension and detail.

The new Duet for iPad and Mac features special circuitry designed to deliver professional performance for iPad use along with low latency USB 2.0 performance for Mac. And with the addition of MIDI I/O you can connect and power a Core MID compatible keyboard/controller while using Duet with your iPad or iOS device.


Focusrite Logo

Focusrite Audio Engineering have long enjoyed an unrivalled reputation for excellence and innovation when to comes to introducing new products to the professional audio market. Add the word ‘Red’ onto the end of the word Focusrite and you immediately think of timeless, classic outboard equipment that sounds amazing and is built to the very highest possible standards.

MediaPros is proud to announce their recent appointment as one of only a handful of ‘Elite’ Focusrite RedNet dealers in the UK, truly a tribute to MediaPros reputation as the ‘Go-To Guys’ when it comes to supplying, installing and supporting highly complex, mission critical Professional Audio systems. Focusrite RedNet is now available for demonstration at MediaPros’ central London based headquarters, please contact one of our Pro Audio Product Specialists to book a test drive of this revolutionary new product range.

RedNet Overview

RedNetImagine a life without multicores…Rednet is Focusrite’s new flagship range of Ethernet-networked studio interfaces, based around the tried and tested Dante Ethernet audio networking system from Australian company Audinate. Focusrite’s RedNet is the first to offer IP network audio interfaces for the recording studio – or any application that requires moving high quality audio around with ultra-low latency.

RedNet forms a scalable system that comprises high quality, versatile interfaces that deliver traditional Focusrite quality sound and performance, with exceptional value for money. Fundamentally, RedNet is a near zero-latency audio distribution system. It is highly expandable; Audinate’s Dante technology enables a single link on the network to handle up to 512 channels (I/O) at 48kHz.

Studio Outboard Focusrite

Every analogue interface delivers dynamic range of 119dB, with 24-bit resolution at sample rates up to 192kHz. Each embodies the most advanced digital audio conversion designs available, including the latest A-D and D-A components, to provide exceptional quality. And with RedNet, you don’t need additional cabling and complexity to sync to a master clock: the system takes care of that automatically as rock steady clocking between units is carried over Ethernet with JetPLL™ for ultra-low-jitter.

Focusrite RedNet 1

RedNet 1

RedNet 1 can be used simply as a means of converting 8 channels of audio and delivering it somewhere else on the network at nearzero latency. If you need to connect RedNet 1 to your computer there are three methods:

  • The RedNet PCIe card for Core Audio and ASIO applications such as Logic and Nuendo
  • RedNet 5 for Pro Tools HD, Pro Tools HDX and Pro Tools HD Native via
  • DigiLink connectors Directly to your computer’s Ethernet port using a standard Ethernet cable (with “Dante Virtual Soundcard”)

Focusrite RedNet 2

RedNet 2

RedNet 2 adds 16 remote-controlled analogue channels in and out to your RedNet network and can be located anywhere you can run an Ethernet cable. Featuring Focusrite’s precision 24-bit A-D and DA conversion for superb audio performance, it delivers 119dB dynamic range at sample rates up to 192kHz. The rear panel includes standard DB25 connectors for analogue patchbay or breakout cable interfacing.

RedNet 2 can be used simply as a means of converting 16 channels of audio and delivering it some somewhere else on the network at near-zero latency. If you need to connect RedNet 2 to your computer there are three methods:

  • The RedNet PCIe card for Core Audio and ASIO applications such as Logic and Nuendo
  • RedNet 5 for Pro Tools HD, Pro Tools HDX and Pro Tools HD Native via DigiLink connectors
  • Directly to your computer’s Ethernet port using a standard Ethernet cable (and “Dante Virtual Soundcard”)

Focusrite RedNet 3

RedNet 3

RedNet 3 interfaces your existing digital audio systems and components to the RedNet network, with up to 32 inputs and outputs and full software remote control. The unit includes support for AES/EBU, S/PDIF and ADAT (16 ADAT optical ports support 32 digital channels in and out – even at 96kHz, with S-MUX2) digital audio formats and allows the RedNet system to be synchronised to incoming signal clock or a word clock source.

RedNet 3 can be used simply as a means of converting 32 channels of audio and delivering it somewhere else on the network at near-zero latency. If you need to connect RedNet 3 to your computer there are three methods:

  • The RedNet PCIe card for Core Audio and ASIO applications such as Logic and Nuendo
  • RedNet 5 for Pro Tools HD, Pro Tools HDX and Pro Tools HD Native via DigiLink connectors
  • Directly to your computer’s Ethernet port using a standard Ethernet cable (and “Dante Virtual Soundcard”)

Focusrite RedNet 4

RedNet 4

RedNet 4 adds eight of the latest remote-controlled Focusrite mic preamps / line inputs to your RedNet system through a single Ethernet cable. With two selectable DI’s, RedNet 4 provides an effective range of analogue inputs for your system. The unit includes Focusrite’s world-class precision A-D conversion. Mic/Line/DI selection, gain, phantom power, HPF and metering are also accessible from the front panel. The benefit of remote control microphone pre-amp gain is that you can keep the mic pre close to the source (so the analogue cable run is minimal) while still setting gain stages from the control room.

Key Features And Performance:

  • Eight high-quality Focusrite mic preamps
  • Selectable line and DI inputs for input flexibility
  • Dynamic range: 119dB
  • THD+Noise: <0.001%
  • Mic input Level up to +16dBu
  • Max mic input gain: 63dB
  • JetPLL™ jitter-reduction technology

Focusrite RedNet 5

RedNet 5

RedNet 5 connects your RedNet system to Pro Tools HD®. Up to six units can be connected to one Pro Tools HDX system, supporting up to 192 channels at 96 kHz or 96 channels at 192 kHz. Pro Tools HD® Native and Pro Toos HD® (TDM) are also supported. RedNet 5 is interoperable with other Pro Tools interfaces and no RedNet PCIe card is required.

Key Features And Performance:

  • Upgrade to RedNet interfaces while remaining fully compatible with your saved sessions
  • Each RedNet 5 can route up to 32 input and 32 output channels between your RedNet network and Pro Tools HD system
  • Connecting six RedNet 5 units to a Pro Tools HDX system allows p to 192 inputs and outputs – the maximum supported by ProTools HDX.
  • Maintain your existing Pro Tools workflow with simple, logical assignment of RedNet I/O to Pro Tools HD inputs and outputs

Focusrite RedNet 6 MADI Bridge

RedNet 6

RedNet 6 MADI Bridge Connects Two Worlds

MADI is widely used for large-scale digital audio systems such as audio consoles and conversion systems, allowing multiple channels to be carried along a single interface. RedNet 6 provides the link between your RedNet Ethernet-based audio system and any MADI / AES10 setup. RedNet 6 supports up to 64 channels of both coaxial and optical MADI interfaces and is completely bi-directional: use RedNet’s high quality interface products with your MADI system – orMADI components with your RedNet system.

RedNet 6 features an asynchronous sample rate converter (ASRC) on each input and output so you can interface between MADI and RedNet irrespective of the sample rate at which either system is operating. Connect yourRedNet system to MADI-based digital consoles, computer cards, converters and much more. In addition to both coax and optical MADI interfaces, RedNet provides Word Clock in and out.

Add MADI to RedNet – or RedNet to MADI

RedNet 6 connects your MADI system and your RedNet system seamlessly together. Connect RedNet to digital mixing consoles, interfaces and cards that use MADI; or conversely, extend your MADI system with RedNet’s versatile, superb-quality audio interfaces and connectivity.

Coaxial and Optical

RedNet 6 supports both coax and optical interfaces – connect simply to any MADI equipment

External Word Clock I/O for either RedNet or MADI

Slave either the RedNet systems or MADI streams to an external clock

Up to 64 MADI channels

RedNet 6 supports up to 64 channels of digital audio I/O at standard sample rates (44.1/48kHz) from your MADI system, 32 channels at 96kHz and 16 at 192kHz.

Asynchronous sample rates throughout

Each RedNet 6 input and output has asynchronous sample rate converters (ASRC) allowing MADI and RedNet systems to operate simultaneously at different sample rates.

Compact and effective

RedNet 6 is a simple 1U rack-mount module with the classic red aluminium faceplate.

Remote routing and control

RedNet Control software allows remote routing and control from your audio computer system via a software control panel – no hardware patching required.

Focusrite RedNet PCIe Card

RedNet PCIe Card

For situations in which low-latency performance is critical, such as tracking, the RedNet PCIe card provides the best possible performance for your system. This dedicated card fits into a Windows or Mac computer with a standard PCIe card slot and delivers up to 128 channels I/O with under 3ms latency*. A standardRJ45 Gigabit Ethernet connector links your audio computer to the rest of the network via a GigE switch.

Key Features and Performance:

  • 128 channels in and 128 channels out
  • Compatible with any Dante network
  • Up to 192 kHz sample rate
  • Under 3ms analogue-to-analogue round-trip latency*
  • ASIO and Core Audio drivers
  • Dependent on ASIO/Core Audio buffer size



No self respecting professional audio production facility studio would ever be complete without a decent Reverb – MediaPros is fortunate to be an authorised dealer for three of the finest brands available to the market today, all of the models detailed below are available to test drive at MediaPros central London based demonstration studios,please contact one of our Pro Audio Sales Specialists for further information.

Bricasti Design Model 7

Bricasti Design M7

Bricasti Design is highly respected in the Pro Audio market for designing one of the best sounding reverbs on the market, the M7 Stereo Reverb. Bricasti handcraft every unit in the USA and use only the finest materials and components when it comes to fabrication. Bricasti also have the M1 Stereo Digital to Analogue Converter with impeccable conversion for all studio setups and high-end hifi systems.

Bricasti users include legendary and award-winning producers, mix engineers and mastering engineers. This shows how dedicated and focused Bricasti are to their products, putting their users first with no compromise technology.

The Bricasti Model 7 reverb Processor provides the highest level of musicality and ease of control imaginable in a processor dedicated to the task of reverberation.

The Bricasti Model 7 is a modern high resolution digital design, utilizing a stunning array of the latest DSP processors, provides a platform for the long overdue next step in reverb processing algorithms. A separate fully differential analog section and dedicated transformer based linear power supply provide the finest analog specifications of any product of its kind.

The Bricasti Model 7 features an exceptionally strong stainless steel chassis, and a tooled aluminum front panel, combine with a classic high visibility display and straightforward human interface, to complete an enduring design that is intended to fulfill its role, now and into the future.

Each design element of the Model 7 is a carefully considered statement of our vision of what the evolution of reverberation processing in its most classic form can be. With a deep appreciation of the best designs, which precede it, and a passion for moving the science of reverberation forward, the Model 7 provides a palette of sounds that encompass the familiar as well as new expressions in the art. Listen to the new reference in reverb processing; it will bring new life to your art, in a way unimagined by any process before it.

Bricasti Logo

Lexicon Pro PCM96


An artful blend of heritage and innovation, the PCM96 Stereo Reverb/Effects Processor delivers 28 new and legendary Lexicon reverbs, delays and modulation effects straight into your DAW.

Appearing for the first time are new Room and Hall algorithms, plus an assortment of new mono reverbs and effects. With decades of legacy products to pull from, the PCM96 also includes the finest collection of factory presets available in a stereo processor – over 1200 and growing – including some recognizable classics from our immense library of sounds. The PCM96 gives new capabilities to our traditional reverbs by adding multimode filters at several spots in the audio flow. This allows more exact shaping of the reverb while still maintaining the distinctive Lexicon sound. All reverbs also have an “Infinite” switch that allows the reverb to run forever, a useful feature for creating unusual backgrounds and sound effects.

Lexicon’s new Room algorithm provides a more flexible alternative to convolution type reverbs. Reflection patterns can be easily selected, scaled and equalized – all while simultaneously passing audio. They can be instantly reversed or combined with a traditionalreverb to extend the decay or bring a stronger sense of “liveness” to the space.

With two channels XLR analog and two channels XLR AES/EBU digital I/O, along with MIDI, Ethernet and Firewire connectivity, the PCM96 easily fits into a variety of recording and live sound environments. In any application, the PCM96 delivers the versatility and sound that is unmistakably Lexicon. Building on the success of the PCM96, the new PCM96 Surround offers more presets, more configuration options, and more inputs and outputs. The PCM96 Surround gives you industry standard reverbs and effects, with tremendous flexibility. Use the PCM96 Surround as a plug-in with your DAW, or keep it connected to your mixing board. Either way, you have a multitude of configuration options to choose from, without having to move any cables.

The PCM96 Surround is available with either 6 XLR Stereo AES inputs and outputs, or 2 DB25 6-channel analog I/O and 1 DB25 6-channel digital I/O. Both versions also feature MIDI, Wordclock, Ethernet, and FireWire®.


TC System 6000 MkII

TC System 6000 MkII

With unparalleled processing and software capabilities, audio professionals are making Reverb 6000 their tool of choice for music and film postproduction, broadcasting and mastering applications.

Simply put, no other reverb on the planet comes close to the resolution and performance of Reverb 6000 MKII. That’s not all: TC Electronic has worked with the most respected professionals in the film and music industry to bring you the effects you want, with hundreds of presets in the format you need.

  • Reference Quality AD and DA Converters
  • Superb Jitter Rejection
  • Any Format: Mono, Stereo, LCR, LtRt to 5.1 and 6.1
  • Double Precision Internal Processing
  • The Skywalker Sound Collection
  • The Halls of Fame Bank

Total Control with the TC ICON Remote

We know you’ll love working with our innovative and attractive TC ICON Remote. We’ve even included the remote as software so you can run it on your Mac or PC, too.

  • Incredibly Fast Response On Touch Screen and Faders
  • Attractive and User Friendly User Interface
  • Controls Even More Studio and Broadcast Units from TC With Dual
  • Ethernet and Dual USB ports

Integrate Multiple Mainframes and TC Icons/Editors into your network!

Routing Magic

Your TC Icon display gives you an astonishingly fast and flexible way to connect your 16 physical I/Os to your 32 Internal Engine I/Os.

  • Visual overview of all I/O connections
  • Run all I/Os simultaneously – at 96 kHz
  • Parallel and Serial Routing of Engine I/Os
  • Output various standards of 5.1 channels with ease
  • Physical inputs feed several Engines simultaneously
  • Mix Engine outputs on Physical outputs

Preset Extravaganza

We’ve loaded up your System 6000 with 600 presets – and given youalmost unlimited abilities to make your own.All of this comes with just the right tools to help you quickly find the presets you need. Check out our user-friendly library and the ReverbWizard, dedicated to finding presets for Music or Film production. The options are constantly expanding.

You can store up to 50 Scene, 50 routing and 100 Engine user presets – and multiply these by 10 with our optional 1 MB PCMCIA card. That means 550 Scene-, 550 Routing- and 1,100 Engine Presets. You can even add a second card as a back up.


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